The wine bar

Author: Alex March Surface: 202 m2 Client: Gran Casino Barcelona Location: Marina, 19-21, Port Olimpic, Barcelona Photographer: Eugeni Pons

Through a careful play of mirrors and lighting we have given this place a vibrant air of the 70s.

The complexity in the creation of this space resided mainly in converting a dreary corner inside the Casino into a singular attractive point for a public that makes use of it throughout the opening hours of the premises, and also to do it in very tight times, since it nourishes a large part of the room. From something as simple as a corner covered in wood with a non-existent decoration begins to take shape an idea of a space with a lot of personality that through its colored mirrors probably reminds us of the 70's, and although that was not the intention, the result is a space that probably could have been designed then. Perhaps the complexity of its ceiling formed by randomly placed triangular metal pieces takes us more to the present time, in which we welcome convoluted shapes that draw increasingly complex designs.

Author: Alex March Surface: 202 m2 Client: Gran Casino Barcelona Location: Marina, 19-21, Port Olimpic, Barcelona Photographer: Eugeni Pons

Through a careful play of mirrors and lighting we have given this place a vibrant air of the 70s.

The complexity in the creation of this space resided mainly in converting a dreary corner inside the Casino into a singular attractive point for a public that makes use of it throughout the opening hours of the premises, and also to do it in very tight times, since it nourishes a large part of the room. From something as simple as a corner covered in wood with a non-existent decoration begins to take shape an idea of a space with a lot of personality that through its colored mirrors probably reminds us of the 70's, and although that was not the intention, the result is a space that probably could have been designed then. Perhaps the complexity of its ceiling formed by randomly placed triangular metal pieces takes us more to the present time, in which we welcome convoluted shapes that draw increasingly complex designs.